{"id":12572,"date":"2019-09-13T10:00:13","date_gmt":"2019-09-13T05:00:13","guid":{"rendered":"http:\/\/umang.pk\/2019\/09\/directors-cut-filmmakers-choose-the-best-film-of-the-century-so-far-film\/"},"modified":"2019-09-13T10:00:13","modified_gmt":"2019-09-13T05:00:13","slug":"directors-cut-filmmakers-choose-the-best-film-of-the-century-so-far-film","status":"publish","type":"post","link":"https:\/\/umang.pk\/ur\/2019\/09\/13\/directors-cut-filmmakers-choose-the-best-film-of-the-century-so-far-film\/","title":{"rendered":"Director&#39;s Cut: Filmmakers choose the best film of the century so far | film"},"content":{"rendered":"<div itemprop=\"articleBody\" data-test-id=\"article-review-body\">\n<h2>Barry Jenkins<\/h2>\n<p><strong>Silent Light (2007)<br \/><\/strong>The purest movie. Thinking about it, it&#39;s the same feeling you got when you first saw your credit 10 years ago. (I wonder how many other movies are on this list at the Cannes Film Festival in 2007. It was an amazing year for movies.)<\/p>\n<h2>Andrew Haig<\/h2>\n<p><strong>Uzark (2002)<br \/><\/strong>It is a soft and profound merciful film, one of the best films about loneliness. I always think about it.<\/p>\n<h2>Hirokazu Koreda<\/h2>\n<p><strong>Secret Sunshine (2007)<\/strong><br \/>Lee Chang-dong&#39;s deep insight into human nature is reflected in the film.<\/p>\n<h2>Joanna Hog<\/h2>\n<p><strong>Margaret (2011)<br \/><\/strong>An epic story about a teenager in New York facing a complex moral dilemma in the shadow of 9\/11. It sounds in a multifaceted way, refusing to simplify or obey an important story that emotionally enhances truthfulness. When I see a movie, I think that when we see it, we react subjectively to how, when, and in what mood. I saw Margaret project one night in 2011 in The Rex Berkhamsted under perfect conditions with an open mind and heart. Watching a movie like Margaret in a beautiful movie theater would be a thing of the past. You need to do what you can to keep the cinema alive.<\/p>\n<h2>Mike Lee<\/h2>\n<p><strong>Death of Rajarescu (2005)<br \/><\/strong>An exemplary low-budget masterpiece for a sick old man driven from hospital to hospital in the middle of the night. honest. right away. real. moving. animation. disastrous.<\/p>\n<figure itemprop=\"associatedMedia image\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\" data-component=\"image\" class=\"element element-image img--landscape  fig--narrow-caption fig--has-shares \" data-media-id=\"a2fca42688788e14c549db2036058ebcedbd16b0\" id=\"img-2\">\n<meta itemprop=\"url\" content=\"https:\/\/i.guim.co.uk\/img\/media\/a2fca42688788e14c549db2036058ebcedbd16b0\/0_0_3247_1949\/master\/3247.jpg?width=700&#038;quality=85&#038;auto=format&#038;fit=max&#038;s=20d2da8438597f035a702a6724338b23\"\/><br \/>\n<meta itemprop=\"width\" content=\"3247\"\/><br \/>\n<meta itemprop=\"height\" content=\"1949\"\/><br \/>\n<a target=\"_blank\" href=\"#img-2\" class=\"article__img-container js-gallerythumbs\" data-link-name=\"Launch Article Lightbox\" data-is-ajax=\"\" rel=\"noopener noreferrer\"><\/p>\n<div class=\"u-responsive-ratio\" style=\"padding-bottom: 60.02{7be40b84a6a43fc4fae13304fce9a2695859798abfc41afd127b9f8b21c5f9c5}\">\n<picture>\n<!--[if IE 9]><video style=\"display: none;\"><![endif]--><source media=\"(min-width: 660px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 660px) and (min-resolution: 120dpi)\"  ><source media=\"(min-width: 660px)\"  ><source media=\"(min-width: 480px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 480px) and (min-resolution: 120dpi)\"  ><source media=\"(min-width: 480px)\"  ><source media=\"(min-width: 0px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 0px) and (min-resolution: 120dpi)\"  ><source media=\"(min-width: 0px)\"  ><!--[if IE 9]><\/video><![endif]--><br \/>\n<br \/>\n<\/source><\/source><\/source><\/source><\/source><\/source><\/picture>\n<\/div>\n<p> <span class=\"inline-expand-image inline-icon centered-icon rounded-icon article__fullscreen modern-visible\"><br \/>\n<svg width=\"22\" height=\"22\" viewbox=\"0 0 22 22\" class=\"centered-icon__svg rounded-icon__svg article__fullscreen__svg modern-visible__svg inline-expand-image__svg inline-icon__svg\">\n<path d=\"M3.4 20.2L9 14.5 7.5 13l-5.7 5.6L1 14H0v7.5l.5.5H8v-1l-4.6-.8M18.7 1.9L13 7.6 14.4 9l5.7-5.7.5 4.7h1.2V.6l-.5-.5H14v1.2l4.7.6\"\/>\n<\/svg> <\/span> <\/a><figcaption class=\"caption caption--img caption caption--img\" itemprop=\"description\">\n<span class=\"inline-triangle inline-icon \"><br \/>\n<svg width=\"11\" height=\"10\" viewbox=\"0 0 11 10\" class=\"inline-triangle__svg inline-icon__svg\">\n<path fill-rule=\"evenodd\" d=\"M5.5 0L11 10H0z\"\/>\n<\/svg> <\/span>    Brad Pitt from the Tree of Life. Photo: Allstar \/ ICON FILM DISTRIBUTION \/ Sportsphoto Ltd.\/Allstar<br \/>\n<\/figcaption><\/figure>\n<h2>Richard Wrinkleter<\/h2>\n<p><strong>Tree of Life (2011)<br \/><\/strong>Vast ambition and grace of meditation. It can be an intimate memory movie taking on the concept of all beings. And I like the way it confuses and challenges the perception itself.<\/p>\n<h2>Kenneth Lawrence<\/h2>\n<p><strong>Conversation with her (2002)<br \/><\/strong>The best part is indistinguishable, but the one that keeps coming up is Pedro Almodovar&#39;s Talk To Her. How does he move this story so freely? How does he connect these strange and lovely characters with each other, music and dance performances, sleeping beauty, quiet movies, loneliness, innocence, fetishism, and red color?<\/p>\n<h2>Lucresia Martel<\/h2>\n<p><strong>Familia Sumergida (Family Locked) (2018)<br \/><\/strong>Because in the family conversation it represents eternal life.<\/p>\n<h2>Steve McQueen<\/h2>\n<p><strong>Cafe Lumiere (2003)<br \/><\/strong>Movie you do not know.<\/p>\n<h2>Joshua Off Pen Haimer<\/h2>\n<p>You can&#39;t name one movie yourself than another. Can you convey love and offer this?<\/p>\n<p><strong>Unknown code (2000) <br \/>Dog Tooth (2009) <\/strong><strong><br \/>Happy with Lazaro (2018)<\/strong><strong><br \/>Import and Export (2007)<\/strong><strong><br \/>Nobody Knows (2004)<\/strong><\/p>\n<p>Sorry. There is very little practice for naming your favorites.<\/p>\n<h2>La sloe nemes<\/h2>\n<p><strong>Oneyu Cutoff (2010)<br \/><\/strong>When composing his first feature film in 2011, he saw Meek &amp; # 39; s Cutoff in Paris. Traditional cinema projection is already dead, but the film was screened at 35mm and was beautiful and hypnotized. I remember this profound impression on me with a maze-like experience, a humanist perspective, unanswered questions about small scale, humanity, barbarism, civilization against a huge Western background. For me, this is what the film can achieve even after the age of &quot;master&quot; (but affected by it).<\/p>\n<figure itemprop=\"associatedMedia image\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\" data-component=\"image\" class=\"element element-image img--landscape  fig--narrow-caption fig--has-shares \" data-media-id=\"81f7b77265b303cb37f0ffdc4e1d004e550612f7\" id=\"img-3\">\n<meta itemprop=\"url\" content=\"https:\/\/i.guim.co.uk\/img\/media\/81f7b77265b303cb37f0ffdc4e1d004e550612f7\/0_102_3072_1843\/master\/3072.jpg?width=700&#038;quality=85&#038;auto=format&#038;fit=max&#038;s=d3136ec052117137bf1cd437a5b03df4\"\/><br \/>\n<meta itemprop=\"width\" content=\"3072\"\/><br \/>\n<meta itemprop=\"height\" content=\"1843\"\/><br \/>\n<a target=\"_blank\" href=\"#img-3\" class=\"article__img-container js-gallerythumbs\" data-link-name=\"Launch Article Lightbox\" data-is-ajax=\"\" rel=\"noopener noreferrer\"><\/p>\n<div class=\"u-responsive-ratio\" style=\"padding-bottom: 59.99{7be40b84a6a43fc4fae13304fce9a2695859798abfc41afd127b9f8b21c5f9c5}\">\n<picture>\n<!--[if IE 9]><video style=\"display: none;\"><![endif]--><source media=\"(min-width: 660px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 660px) and (min-resolution: 120dpi)\"  ><source media=\"(min-width: 660px)\"  ><source media=\"(min-width: 480px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 480px) and (min-resolution: 120dpi)\"  ><source media=\"(min-width: 480px)\"  ><source media=\"(min-width: 0px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 0px) and (min-resolution: 120dpi)\"  ><source media=\"(min-width: 0px)\"  ><!--[if IE 9]><\/video><![endif]--><br \/>\n<img decoding=\"async\" class=\"gu-image\" itemprop=\"contentUrl\" alt=\"Leonardo DiCaprio on Wolf in Wall Street\" src=\"http:\/\/umang.pk\/wp-content\/uploads\/2019\/11\/1573283969_669_Director39s-Cut-Filmmakers-choose-the-best-film-of-the-century.jpg\" title=\"\"><br \/>\n<\/source><\/source><\/source><\/source><\/source><\/source><\/picture>\n<\/div>\n<p> <span class=\"inline-expand-image inline-icon centered-icon rounded-icon article__fullscreen modern-visible\"><br \/>\n<svg width=\"22\" height=\"22\" viewbox=\"0 0 22 22\" class=\"centered-icon__svg rounded-icon__svg article__fullscreen__svg modern-visible__svg inline-expand-image__svg inline-icon__svg\">\n<path d=\"M3.4 20.2L9 14.5 7.5 13l-5.7 5.6L1 14H0v7.5l.5.5H8v-1l-4.6-.8M18.7 1.9L13 7.6 14.4 9l5.7-5.7.5 4.7h1.2V.6l-.5-.5H14v1.2l4.7.6\"\/>\n<\/svg> <\/span> <\/a><figcaption class=\"caption caption--img caption caption--img\" itemprop=\"description\">\n<span class=\"inline-triangle inline-icon \"><br \/>\n<svg width=\"11\" height=\"10\" viewbox=\"0 0 11 10\" class=\"inline-triangle__svg inline-icon__svg\">\n<path fill-rule=\"evenodd\" d=\"M5.5 0L11 10H0z\"\/>\n<\/svg> <\/span>    Leonardo DiCaprio Photo on Wolf in Wall Street Photography: Allstar<br \/>\n<\/figcaption><\/figure>\n<h2>Trey Parker and Matt Stone<\/h2>\n<p><strong>Mad Max: Road of Fury (2015)<br \/><\/strong>We love everything George Miller has done, and Fury Road will do its best until the next movie.<\/p>\n<h2>Powell Paulikov<\/h2>\n<p>I have a real problem. There is not <em>one<\/em> My favorite movie. I loved the same<br \/><strong>Rashinaga (2001)<br \/>Death of Rajarescu (2005)<br \/>You, Life (2007)<br \/>Silent Light (2007)<br \/>Once Upon A Time in Anatolia (2011)<br \/>Snake Grace (2016)<\/strong><\/p>\n<p>They took me to a place I&#39;ve never seen before.<\/p>\n<h2>Sarah Foley<\/h2>\n<p><strong>Hidden Life (2019)<br \/><\/strong>Seeing a hidden life was an innovative experience for me. Convene a weapon.<\/p>\n<h2>Paolo Sorentino<\/h2>\n<p><strong>Wall Street Wolf (2013)<br \/><\/strong>The best comedy is that the drama of modern humanity seeks meaning and power in itself, but it becomes a prisoner like that and gets trapped. In addition, the lessons of style and imagination are what every director wants.<\/p>\n<figure itemprop=\"associatedMedia image\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\" data-component=\"image\" class=\"element element-image img--landscape  fig--narrow-caption fig--has-shares \" data-media-id=\"68527147e1f7f58685eeeda655f8154251ea85da\" id=\"img-4\">\n<meta itemprop=\"url\" content=\"https:\/\/i.guim.co.uk\/img\/media\/68527147e1f7f58685eeeda655f8154251ea85da\/163_0_3997_2400\/master\/3997.jpg?width=700&#038;quality=85&#038;auto=format&#038;fit=max&#038;s=0acd21ba68de2c106bb4e12b7d30db42\"\/><br \/>\n<meta itemprop=\"width\" content=\"3997\"\/><br \/>\n<meta itemprop=\"height\" content=\"2400\"\/><br \/>\n<a target=\"_blank\" href=\"#img-4\" class=\"article__img-container js-gallerythumbs\" data-link-name=\"Launch Article Lightbox\" data-is-ajax=\"\" rel=\"noopener noreferrer\"><\/p>\n<div class=\"u-responsive-ratio\" style=\"padding-bottom: 60.05{7be40b84a6a43fc4fae13304fce9a2695859798abfc41afd127b9f8b21c5f9c5}\">\n<picture>\n<!--[if IE 9]><video style=\"display: none;\"><![endif]--><source media=\"(min-width: 660px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 660px) and (min-resolution: 120dpi)\"  ><source media=\"(min-width: 660px)\"  ><source media=\"(min-width: 480px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 480px) and (min-resolution: 120dpi)\"  ><source media=\"(min-width: 480px)\"  ><source media=\"(min-width: 0px) and (-webkit-min-device-pixel-ratio: 1.25), (min-width: 0px) and (min-resolution: 120dpi)\"  ><source media=\"(min-width: 0px)\"  ><!--[if IE 9]><\/video><![endif]--><br \/>\n<img decoding=\"async\" class=\"gu-image\" itemprop=\"contentUrl\" alt=\"Who lived\" src=\"http:\/\/umang.pk\/wp-content\/uploads\/2019\/11\/1573283969_82_Director39s-Cut-Filmmakers-choose-the-best-film-of-the-century.jpg\" title=\"\"><br \/>\n<\/source><\/source><\/source><\/source><\/source><\/source><\/picture>\n<\/div>\n<p> <span class=\"inline-expand-image inline-icon centered-icon rounded-icon article__fullscreen modern-visible\"><br \/>\n<svg width=\"22\" height=\"22\" viewbox=\"0 0 22 22\" class=\"centered-icon__svg rounded-icon__svg article__fullscreen__svg modern-visible__svg inline-expand-image__svg inline-icon__svg\">\n<path d=\"M3.4 20.2L9 14.5 7.5 13l-5.7 5.6L1 14H0v7.5l.5.5H8v-1l-4.6-.8M18.7 1.9L13 7.6 14.4 9l5.7-5.7.5 4.7h1.2V.6l-.5-.5H14v1.2l4.7.6\"\/>\n<\/svg> <\/span> <\/a><figcaption class=\"caption caption--img caption caption--img\" itemprop=\"description\">\n<span class=\"inline-triangle inline-icon \"><br \/>\n<svg width=\"11\" height=\"10\" viewbox=\"0 0 11 10\" class=\"inline-triangle__svg inline-icon__svg\">\n<path fill-rule=\"evenodd\" d=\"M5.5 0L11 10H0z\"\/>\n<\/svg> <\/span>    THEO lived. Photos: Everett Collection Inc \/ Alamy<br \/>\n<\/figcaption><\/figure>\n<h2>Michael Winter Bottom<\/h2>\n<p><strong>Theo lived (2016)<br \/><\/strong>I think choosing 10 or 10 lists is a pointless task. I do not really like movies. There are a lot of movies I like. If you ask what movie you want to watch again in the last 20 years <strong>The beat my heart beats <\/strong>Jacques Audiard or <strong>City of god<\/strong> Fernando Maryles But the point of the list is to encourage people to watch movies that they haven&#39;t seen. <strong>Theo lived<\/strong> <strong>(2016)<\/strong> \u2013 It tells an amazing story, not the movie itself.<\/p>\n<\/div>\n<p>        .<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Barry Jenkins Silent Light (2007)The purest movie. Thinking about it, it&#39;s the same feeling you got when you first saw your credit 10 years ago. (I wonder how many other movies are on this list at the Cannes Film Festival in 2007. It was an amazing year for movies.) Andrew Haig Uzark (2002)It is a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12573,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[900,1557,5217,7664,8199,8487,10208,10225,12025,13904,15360,16081],"tags":[18092,18472,19169,19735,20558,20616,20693,21172,21187,21670,22132,22651,23302],"class_list":["post-12572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-andrew-haigh","category-barry-jenkins","category-film","category-joanna-hogg","category-joshua-oppenheimer","category-kenneth-lonergan","category-michael-winterbottom","category-mike-leigh","category-paolo-sorrentino","category-richard-linklater","category-steve-mcqueen","category-the-wolf-of-wall-street","tag-andrew-haig","tag-barry-jenkins","tag-culture","tag-film","tag-joanna-hog","tag-joshua-off-pen-haimer","tag-kenneth-lawrence","tag-michael-winter-bottom","tag-mike-lee","tag-paolo-sorentino","tag-richard-wrinkleter","tag-steve-mcqueen","tag-wall-street-wolf"],"_links":{"self":[{"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/posts\/12572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/comments?post=12572"}],"version-history":[{"count":0,"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/posts\/12572\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/umang.pk\/ur\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/media?parent=12572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/categories?post=12572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/tags?post=12572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}