"Captured Letters from Paris" is one of the new works that will be held at Inman Gallery on Friday in Jamal Cyrus' show "Currency and Call".<\/p>\n<\/div>\n
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"Captured Letters from Paris" is one of the new works that will be held at Inman Gallery on Friday in Jamal Cyrus' show "Currency and Call".<\/p>\n<\/div>\n
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\n Photos: Jessi Bowman \/ Jessi Bowman
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\n Photos: Jessi Bowman \/ Jessi Bowman
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"Captured Letters from Paris" is one of the new works that will be held at Inman Gallery on Friday in Jamal Cyrus' show "Currency and Call".<\/p>\n<\/div>\n
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"Captured Letters from Paris" is one of the new works that will be held at Inman Gallery on Friday in Jamal Cyrus' show "Currency and Call".<\/p>\n<\/div>\n
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\n Photos: Jessi Bowman \/ Jessi Bowman
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Houston Gallery's News of the Week<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n
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\n <\/p>\n
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Houston's art scene is as diverse and colorful as the city itself, with galleries and museums that showcase the work of local, national and international talent. Admission is free unless otherwise stated.<\/typographytag><\/p>\n
\n <\/p>\ngallery<\/p>\n
<\/l_category><\/p>\n
\n <\/p>\nAnya Tish Gallery<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
\u201cJohan Barrios: Monologo\u201d, until November 30; 4411 Montrose; 713-524-2299, anyatishgallery.com.<\/p>\n
\n <\/p>\nArchway gallery<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Jane Ywen: Intangible Mention", by 5 December; 2305 Dun Lavi; 713-522-2409, archwaygallery.com.<\/p>\n
\n <\/p>\nWorld Art Museum<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
Since January 11, "We salute the Latin American Master"; 2201 West Haimer; 713-526-1201, artoftheworldgallery.com.<\/p>\n
<\/p>\n
\n <\/p>\nBarbara Davis Gallery<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Mie Olise Kj\u00e6rgaard: Ambiguous tally", until January 10; 4411 Montrose; 713-520-9200, barbaradavisgallery.com.<\/p>\n
<\/p>\n
\n <\/p>\n
\n <\/p>\nBooker-Low Gallery<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
\u201cBeyond Time: Australian Aboriginal Art\u201d co-published with the Sydney Cui Gallery until December 14. 4623 pagan; 713-880-1541, bookerlowegallery.com.<\/p>\n
\n <\/p>\nCatherine Kouturi Gallery<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
By November 27 "Wendy Schneider: State of Grace"; 2635 call kit; 713-524-5070, catherinecouturier.com.<\/p>\n
\n <\/p>\nDeborah Colton Gallery<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Virgil Grotfeldt: All That Is" will open deborahcoltongallery.com on Friday, January 4 at 6pm, 2445 North Blvd., 713-869-5151.<\/p>\n
\n <\/p>\nDevin Borden Gallery<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
Via WednesdayNov \u201cDavid Lackey \/ Russell Prince: Figment\u201d. 13; 3909 main; 713-256-0225, devinborden.com.<\/p>\n
<\/p>\n
\n <\/p>\nPoles art<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Storied Lands" are three shows about the Texas landscape. Open from Saturday, December 21; 2143 West Haimer; 713-521-7500, foltzgallery.com.<\/p>\n
\n <\/p>\nPhoto relevance<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
\u201cLou Peralta: Decomposition\u201d by Friday; 616 hawthorn; 281-989-4356, fotorelevance.com.<\/p>\n
\n <\/p>\nFront gallery<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
\u201cSarah Fisher: Second Example\u201d, until November 23; 1412 Bonnie Bra; frontgallery.com.<\/p>\n
\n <\/p>\nGallery grandson rosh<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Accrochage 2019" group show, opening at 5 pm Saturday, January 4; 2309 Caroline; 713-659-5424, gallerysonjaroesch.com.<\/p>\n
\n <\/p>\nGray modern<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
\u201cNeil Fortune: Colorful Ribs and Adam's Intestines\u201d and \u201cAim\u00e9e Terburg: Color Bending Shapes,\u201d until November 30; 3508 lake; 713-862-4425, graycontemporary.com.<\/p>\n
\n <\/p>\n
\n <\/p>\nHeidi bon art<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
\u201cEmma Balder: Connection Thread\u201d, until November 23rd; 3510 lake; 832-875-6477, heidivaughanfineart.com.<\/p>\n
\n <\/p>\nHook-Epstein Gallery<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Nan Johnson: A word of thanks" until November 27; 2631 call kits; 713-522-0718, hooksepsteingalleries.com.<\/p>\n
\n <\/p>\nJonathan Hobson<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
\u201cSteven Evans: Introspective\u201d, until November 24; 904 Marshall; jonathanhopsongallery.com.<\/p>\n
\n <\/p>\nInn Bay Gallery<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Jamal Cyrus: Current and Call" opening at 6 pm Friday, artists will talk on Saturday, January 4 at noon. 3901 main; 713-526-7800, inmangallery.com.<\/p>\n
\n <\/p>\nLaura lathe art<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Nicola Parente and Michael Schultheis", until November 30; 2707 call kits; 713-705-5044, laurarathe.com.<\/p>\n
\n <\/p>\nMacLean Gallery<\/p>\n
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<\/p>\n
Until December 21, "Dorothy Hood: Illuminated Earth"; 2242 Richmond; 713-520-9988, mcclaingallery.com.<\/p>\n
\n <\/p>\nMoody gallery<\/p>\n
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<\/p>\n
By November 27 \u201cDornith Doherty: Atlas of The Atlas\u201d; 2815 call kits; 713-526-9911, moodygallery.com.<\/p>\n
\n <\/p>\nNancy Little John Art<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
\u201cKnox Martin: New York 1962-2019\u201d, until December 7; 3465-B W. Alabama; 832-740-4288, nancylittlejohnfineart.com.<\/p>\n
\n <\/p>\nNicole Long Necker Gallery<\/p>\n
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"Kesha Bruce: A Song For Survival", until Saturday; 3233 W. 11; 346-800-2780, longneckergallery.com.<\/p>\n
\n <\/p>\n
\n <\/p>\nRed bird pics<\/p>\n
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<\/p>\n
\u201cAlfredo Romero: Traces of Our Time\u201d until January 14; Gretchen van atta loro: the language of the spirit is dance! ", Until November 30; 303 E. 11; 713-854-4246, redbudgallery.com.<\/p>\n
\n <\/p>\nSika di | Airs Bakino<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Alejandro Otero: The Rhythm of Lines and Spaces", until January 16; 1506 W. Alabama; 713-529-1313, sicardigallery.com.<\/p>\n
\n <\/p>\nSite gallery<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
\u201cOutta Space,\u201d Sculpture Month Houston Group's Grain Silo Facility by November 30; 1502 Sawyer; 713-807-1836, sculpture monthhouston.org.<\/p>\n
\n <\/p>\nTexas gallery<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Robin Bruch: Full Circle" until November 30; 2012 Peden, 713-524-1503, texgal.com.<\/p>\n
\n <\/p>\nMuseum<\/p>\n
<\/l_category><\/p>\n
\n <\/p>\n1940 Air Terminal Museum<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Pitch and Roll" piece by the Houston Wall Group on November 30; Hangar, 8325 Travelair; $ 2- $ 5; 713-454-1940; 1940airterminal.org.<\/p>\n
\n <\/p>\nArt gallery<\/p>\n
<\/strong><\/p>\n
<\/p>\n
"Fernando Casas: Limits and Proximities" and "Susan Thea: Snapshot", until November 17; 140 height; 713-861-5526, artcarmuseum.com.<\/p>\n
\n <\/p>\nAsia Society Texas Center<\/p>\n
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<\/p>\n
By January 19 \u201cTsuru Kokei: Modern Kabuki Print Correction and Review\u201d; 1370 Southmore; 713-496-9901, asiasociety.org\/texas.<\/p>\n
\n <\/p>\nBrapper Art Museum<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Paul Mpagi Sepuya", until March 14 and "Jacqueline Nova: Creati\u00f3n de la Tierra", until January 4; University of Houston, 4173 Elgin; 713-743-9521, blafferartmuseum.org<\/p>\n
\n <\/p>\nMuseum of Contemporary Art<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Will Boone: The Highway Hex" opens at 6:30 pm Friday, Artist Talk from 2pm Saturday to February 16th; \u201cNari Ward: Our People\u201d, until November 30; 5216 Montrose; 713-284-8250, camh.org.<\/p>\n
\n <\/p>\nFotofest<\/p>\n
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"Velvet generation", "Dansk Konceptuelt Fotografi" and "crossing" by Saturday; Silver Street Studios, 2000 Edwards; 713-223-5522, fotofest.org.<\/p>\n
\n <\/p>\nGalveston Art Center<\/p>\n
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<\/p>\n
By November 17, \u201cGerardo Rosales: Undercover\u201d and \u201cErin Curtis: Night and Day\u201d; 127 Strand, Galveston; 409-763-2403, galvestonartscenter.org.<\/p>\n
\n <\/p>\nHolocaust Museum<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
By January 5 \u201cDanny Lyon: Memories of the Southern Civil Rights Movement\u201d; $ 10- $ 15, free for children and students; 5401 Caroline; 713-942-8000, hmh.org.<\/p>\n
\n <\/p>\nHouston Modern Craft Center<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Object: Redux \u2014 How to Make Crafts Modern for 50 Years" and "Nathalie Miebach: Waterline" until January 5; 4848 maine; 713-529-4848, crafthouston.org ..<\/p>\n
\n <\/p>\nHouston Photo Center<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
\u201cDaniel Gordon: Hue and Saturate\u201d, until Sunday; 1441 W. Alabama; 713-529-4755, hcponline.org.<\/p>\n
\n <\/p>\nHouston African American Culture Museum<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Tiger Ride: Technology of Bert Long, Jr." from Saturday; \u201cIrinishi: A picture of Idowu Oluwaseum\u201d, until December 14; 4807 Caroline; 713-526-1015, hmaac.org.<\/p>\n
\n <\/p>\nRondale Art Center<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
Michael Menchaca (The Silicon Valley Codex) and "Saull Hernandez-V\u00e1rgas:" Nothing left for us in the wilderness (queda nada para nosotros en la espesura) "; 4912 main; 713-528-5858, lawndaleartcenter.org.<\/p>\n
\n <\/p>\nMenil Collection<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Mapa Wiya (You do not need your map): Aboriginal art from Fondation Opale"; Until February 2; \u201cJan-Jacques Lequeu: Visionary Architect\u201d, until January 5; 1533 sulos; 713-525-9400, menil.org.<\/p>\n
\n <\/p>\nMoody Center<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Moon Shot" by Robert Rauschenberg, Andy Warhol, Laurie Anderson, etc .; Until December 21; Rice University, 6100 Maine; 713-348-4772, moody.rice.edu.<\/p>\n
\n <\/p>\nHouston Art Museum<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Beatriz Gonz\u00e1lez: Retrospective", until January 20; By January 12, \u201cPineso to Picasso: A Very Private Collection\u201d and \u201cBerser Morriot: Impressionist Original Original\u201d; \u201cJasper Johns: 100 Variations on the Subject\u201d, by February 16; $ 7.50- $ 25; 5601 main; 713-639-7300, mfah.org.<\/p>\n
\n <\/p>\nPearl Pincher Museum<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Mark Burns: Grand Canyon Photography" and "Anat Ronen: Urban Legend", until January 11; 6815 Cypresswood, Spring; 281-376-6322, pearlmfa.org.<\/p>\n
\n <\/p>\nProject row houses<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
\u201cRound 50: Race, Health and Maternity\u201d: site-specific installations that explore how artists, health care professionals, and practitioners respond to black maternal mortality by February 16; 2505-2517 Holman; 713-526-7662, projectrowhouses.org.<\/p>\n
\n <\/p>\nStation Museum of Contemporary Art<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
By January 12 "Irvin Tepper: Evidence realized between thoughts of Phantoms"; 1502 Alabama; 713-529-6900, stationmuseum.com.<\/p>\n
\n <\/p>\nPrint museum<\/p>\n
<\/l_category_sub><\/p>\n
<\/p>\n
"Where did I come from: Charles Criner's work and influence" until December 21 and "Joan Son: Paper Couture", until December 22; $ 5; 1324 W. Clay; 713-522-4652, printingmuseum.org.<\/p>\n
\n <\/p>\n <\/div>\n<\/pre>\n<\/pre>\n","protected":false},"excerpt":{"rendered":"
Publishing Thursday, November 7, 2019 12am CST "Captured Letters from Paris" is one of the new works that will be held at Inman Gallery on Friday in Jamal Cyrus' show "Currency and Call". "Captured Letters from Paris" is one of the new works that will be held at Inman Gallery on Friday in Jamal Cyrus' […]<\/p>\n","protected":false},"author":1,"featured_media":12264,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12263","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/posts\/12263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/comments?post=12263"}],"version-history":[{"count":0,"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/posts\/12263\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/umang.pk\/ur\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/media?parent=12263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/categories?post=12263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/umang.pk\/ur\/wp-json\/wp\/v2\/tags?post=12263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}